1997lipeixinNov 13, 20202 min readArt, the Post-human and the NonhumanKathy said: “We are now living in a mixed reality paradigm where the real and the virtual, the natural and the artificial blend and...
1997lipeixinNov 4, 20202 min readParticipatory Aesthetics: Art and Audiences in Neoliberal CapitalismParticipatory art refers to a series of artistic practices, including relational aesthetics, where the focus is on the role of the viewer...
1997lipeixinOct 29, 20203 min readArtveillance and the politics of seeingBrighenti’s point is that we should not underestimate the diversity of moods that can be conveyed through the same aesthetic of...
1997lipeixinOct 23, 20202 min readAboriginal and Indigenous Digital Art in Australia and BeyondIn Judith’s reading, Big hART said:” they do this through animation and new media in ways that are not exclusively defined by their...
1997lipeixinOct 14, 20202 min readArtistic Data VisualisationLev Manovich listed a few more examples of media visualizations in his article, to conclude a point : “a move from traditional...
1997lipeixinOct 2, 20202 min readArt and the Digitally Networked Public SpherePublic art is no longer confined to a small and private space but faces a public space with strong publicity. The so-called publicity of...
1997lipeixinSep 22, 20205 min readSonic architectures: sound and the politics of sensing and listeningOver the years, technological developments have influenced all facets of human life. Even though attention has been paid on the impact of...
1997lipeixinSep 17, 20202 min readScreens, simulation, and special effectsSince digital media technology uses multiple modern technologies such as multimedia technology, Internet technology, and modern...
1997lipeixinSep 13, 20203 min readArt and media: reproduction, interaction, and remediationFrancis Bacon (28 October 1909 – 28 April 1992) is a grotesque painter in the British Isles since the 1940s. He was born in Dublin,...
